Untitled (EH#4)
Untitled (EH#5)
Untitled
2025, Photo-lithograph on wove paper, 11x14”
This artwork experiments how contrasting expressions coexist. I began by creating powerful strokes on a semi-opaque acrylic paper, marking an initial impact with empty space. Then, the subsequent gradient washes over areas both untouched and shadowed, sometimes harshly, sometimes gently, bringing a sense of release. The heart shape represents a notion of familiar warmth nestled within this gradient. These two elements are interwoven together geometrically, where the angles and curves interact and guide each other. Following this, I explored color combinations using photolithography plates, selecting hues, bringing a sense of release—like trust, flow, mystery, and comfort. Each impression is a dialogue between materials and expression. It's a reminder to cherish those precious things and loved ones that are enduring.
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無題
2025, 石版畫, 純棉紙, 11x14”
這是一個我持續進行的實驗性創作主題，探索對比元素如何共存。如同天際的閃電，猛烈地劈下，隨之而來的是一場雷暴雨。傾盆大雨時而狂暴，時而寧靜美好，可能將我徹底淋濕，模糊我的視線，也可能只是慢慢地滴落，帶來一絲彩虹的希望。無論如何，我喜歡心形，因為它是一個經典的符號，有種可愛和溫馨的感覺。我先在半透明的壓克力紙上留下力道渾厚的一筆，初始的筆觸深刻地留下痕跡；接著，以漸層渲染覆蓋其上，流淌於空白與深沉之處，時而強烈，時而輕柔，帶來一種釋放之感——信任、流動、神秘與舒適。每一次的印記，都是材料與表達之間的對話。提醒珍惜那些能夠長存的珍貴與摯愛。